hitting home.

A falling star fell from your heart and landed in my eyes
I screamed aloud, as it tore through them, and now it's left me blind

The stars, the moon, they have all been blown out
You left me in the dark
No dawn, no day, I'm always in this twilight
In the shadow of your heart

And in the dark, I can hear your heartbeat
I tried to find the sound
But then it stopped, and I was in the darkness,
So darkness I became

I took the stars from our eyes, and then I made a map
And knew that somehow I could find my way back
Then I heard your heart beating, you were in the darkness too
So I stayed in the darkness with you

The stars, the moon, they have all been blown out
You left me in the dark
No dawn, no day, I'm always in this twilight
In the shadow of your heart






Someone just kill me now.
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steps of man.

My poor, neglected blog. I've come to think of it as a person, a friend to whom I cryptically confess things that I've worked over in my mind, but a friend that doesn't have anything to say back. I always feel guilty, and responsible as it were, to my journal when I don't write in it. I realized the other day (while washing my hair in the shower) that that guilt I feel when I don't take the time to scrape all of this off of the inside of my skull and onto the keyboard is guilt towards what I'm not keeping track of for my future self. Inevitably in a year or maybe two, I'll want to look back at this and see that I neglected to keep track of the past two months.

A lot has happened- I spent a week in West Palm Beach, recharging. Honestly, like a hungry sponge I just reveled in sun and warm air and salt water and beer (lots and lots and LOTS of beer) and love. Comfort and love were abounding- I slept in a small room with my favorite people in the world, and didn't even have perspective until after I'd gotten back about just how much I needed that break. In the planning phases, Whitney and I knew that we were getting burned out and that we needed a break, but I don't think either of us knew just how much we needed to live, even if for four days, without any real responsibilities. At any rate, it was lovely. I miss it everyday.

I moved to Charleston- I'm here there now. I work for a theatre company teaching (alot) and acting (alot), and it's rewarding and tiring and altogether near perfect. Apologies for using the cliche, but Charleston really is a beautiful city. The view from my new apartment downtown is amazing- a harbor which houses the yachts and sailboats of very rich people, and the sun sets in my living room window, which makes the room orange and red and purple every evening that isn't cloudy. There are hundreds of fantastic restaurants in town which I've begun to scope out, there's history and charm and seabreezes. There is also, unfortunately, a horribly oppressive spectrum of heat and humidity. I hear from locals though the everything is much better, much prettier, and much more bearable come October.

I have begun meeting people, vining out socially and giving out kernels (only ever small and brightly colored baubles) of self, establishing my type and my grit (or relative lack thereof), making my habits and attributes and stripes apparent and clear. I have met some wonderful people and grown close to them quickly. I've created a pattern, tested it, and know that it works. I'm safe, but far and guarded. What can one do when walking foreign land? My mother emails and I don't respond- such a statement bears no meaning to anyone here.

I don't suppose that I have much else specific to say. I'm sorry for abandoning this here page. I hope it's forgiven me.

After all, who will shut all of these windows? It's these windows who are telling me to cleanse my dirty mind of all of its preciousness.
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t.y.t.o 2009


"What was it --- through everything terrible, nocturnal, unwieldy --- what was that thing? It had been last to move aside, reluctantly yielding to the huge, heavy wagons of sleep, and now it was the first to hurry back --- so pleasant, so very pleasant --- swelling, growing more distinct, suffusing his heart with warmth:
Marthe is coming today!"

---Vladimir Nabokov, "Invitation to a Beheading"
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mouth off.

I wrote up this post for the introduction of my new a cappella podcast that I've co-created with my friend Dave Brown and posted it on casa.org. For the sake of posterity and for the maybe 2 friends I have that read this but not anything else I produce, I'm cross-posting it. If you love me, you will listen.

The world of a cappella music is such a fun place. We’re a strange little microcosm of the greater music industry, full of brilliant minds and tons of talent and huge personalities. We’re in a community where time flies by almost in dog years it would seem (in that case, I’ve been singing aca for 42 years!), and we’ve proven that with time, we adapt quite ably to this rush of progress. The a cappella recordings of the 1990’s sound generations different from those of the early 2000’s, and the recordings of the early 2000’s sound primitive compared to the recordings of 2009. The champions of the ICCA went, in just a few years, from standing in an arc and singing their heads off, to singing their heads off while LITERALLY doing backflips across the stage. We went from having Rockapella and Take 6 acting as our only liaisons to the greater musical community, to having shows produced on major network television channels, and original artists creating albums of our covers. We’re evolving, and we’re doing it quickly.

It’s this sense of joyous and frenzied adaptation that brought me and my devilishly handsome and talented cohort Dave Brown to conceive of and produce our new podcast, lovingly named Mouth Off. There are several aca-podcasts out there, each beautifully filling its niche in our musical realm. Our mutual love for these shows as well as our incredibly nerdy obsession with the radio programs on NPR inspired us to take a shot at it ourselves. But we didn’t want to develop a show like anything we’d heard before in our acaverse. We wanted to mouth off about issues in a cappella like competition, arranging and recording style in a forum other than RARB. We’ve been aching for a venue to openly and creatively share our personal tastes in a cappella music with our peers. We wanted to chat it up about this group and that group; we wanted to shine a light on the incredible arrangements that move us, to make a shout out to the little guy (or girl) in a cappella who’s working hard without much recognition, to share music you may have never heard, to talk shop about recording and rehearsal practice, to wonder about crappy album art. But more than that, we wanted the chance to have a blast while geeking out over the one topic that somehow, without bringing either of us much money or widespread fame, has gripped our musical souls without letting go. Thus, Mouth Off was born.

And mouth off, we do. This podcast is a weekly show, to be released every Sunday night. It includes interactive segments in a 2 person talk show format (think “Car Talk“, just younger and louder). We pit arrangements of the same song against each other to learn about different arranging perspectives, honor our personal vocal heroes and voice crushes, visit the a cappella of the (not-so-distant) past to see from whence we came, and review new albums from a variety of groups all in an effort to gab about our opinions and share our fascination with the human voice. We’ve strived to create a show that not only aca-heads like ourselves will love, but that non-singers can tune into and have a laugh while hearing and learning about things they might not have known before.

While we’re both extremely active in the a cappella community, this show isn’t directly affiliated with any of our other projects. This is just a side project from two guys who can’t turn on the radio without insta-rranging songs in our head, can’t hear a friend talk about a song without mentioning a far superior a cappella version we own, and spend maybe too much time anxiously awaiting the new BOCA. We hope that this show reaches out to the people like us as well as those who couldn’t give a damn about a cappella music. More than that, though, we just hope that this show is fun to listen to .

So, my humble request is that you check out our show when you’ve got a few moments to spare. You can find a new show every week at www.mouthoffshow.com, as well as some info about us bozos and our lovely announcer Ms. Alli Brooks, as well as links to some of the places in the acaverse that get us all excited. If you’re an audiophile like me, you can also check us out on iTunes by searching for “Mouth Off” under “Podcasts”. It’s going to be a good time, and we cant wait for you to check it out! We’re beyond excited to announce Mouth Off to the a cappella community at large. We hope you have fun, learn something new, get to know us better, and let us know what you think!
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propinquity.

I left for work at about 5:15 this afternoon to work a closing shift at the store. I was running a few minutes late, but my manager’s are almost all very laid back, so I wasn’t too worried about being three or four minutes late. I showered right after an early dinner of good old American meat and potatoes: pot roast, baked potatoes and carrots and biscuits, and felt for the most part that I’d rid myself of the mood that was following me around earlier in the day. (I’m particularly susceptible to a sort of hazy gloom as summer unrolls its oppressive waves of heat on us. This isn’t something I’ve found I can really affect, only learn to deal with.) In short, I was feeling good, or at least better.

I got in the car and headed down the same route that I always follow to get to work: right on Harpersville, left on the Parkway, right on Coliseum, left into work. While I was on the Parkway, stopped at the light at Big Bethel Rd., I was more than usual engrossed in my own thoughts. Listening to an album that I’ll be reviewing here soon for my podcast (I should have thought to cross-post my other blog about it…at any rate, you can read that HERE), I was organizing critique in my head and assessing the ins and outs of the groups arranging style and delivery. A sharp clapping sound (like lightning striking) interrupted my thoughts. I looked out the window to my front right and saw that there had been a wreck in the middle of the intersection.

A large white SUV, a monstrous tricked-out GMC, had smashed into the passenger side of a silver Chrysler convertible who‘d tested her luck and run the red light. On the other side of the convertible, an old pickup truck with a faded cab had rammed into the driver’s side of the convertible and bounced away.

For about thirty seconds, nothing moved. Not me, not the other people in the cars around me, and none of the drivers of the scrapped cars. There was almost silence. Then, after that short vacuum of sound, the Hispanic woman who drove the SUV got out, as did the short, plump woman driving the pick up truck. Both paced around the outside of their vehicles, clutching their cell phones, desperately assessing the damage to their cars. They didn’t notice that the driver of the convertible wasn’t joining in their post-traumatic ritual.

I started to panic. I felt like I was suffocating. It was the a cappella music. I turned it off, having completely lost whatever thoughts I’d had about the review. I scolded myself for even thinking about the damned review, because it seemed that no one had noticed that the third driver hadn’t gotten out of her car.

What made this worse was the image that first flashed through my mind- it was of the method I often use to remove a shriveled and curled up dead beetle from the dusty corners in my room. I grab a tissue (or two, depending on the size of the insect), and grasp the bug holding the middle of the two tissues, bunching it up furiously as soon as I’ve made contact with it in order to avoid it touching my bare skin. The convertible looked very much like the tissue. I felt instantly nauseous when I thought of the poor beetle woman inside.

I couldn’t even see her. The metal and glass had crumpled so over itself that she wasn’t visible. As my panic rose, I searched for my cell phone. I’d left it at home. I put my car in neutral and yanked on the parking brake, thinking for a second that I’d get out to help her. Then I worried about leaving my car in the middle of a busy road. Then I considered just driving off, but argued internally that the police might need witnesses. I argued with myself for about twenty seconds, and in that time, luckily, a host of different people were pulling into the median and onto the side of the road, parking, and rushing from their cars to the scene.

Because I live about three miles from an Air Force base, there were several men in camouflage fatigues who rushed to stand around the cars. One of them began directing traffic. Another tall, muscular man who looked like he’s just left the gym ran to the convertible, and after surveying the damage, leapt onto the trunk of the car to try to see down into the crunched up driver‘s seat. After about another minute, the car was completely hidden from view by the wall of concerned and nosy citizens.

A man who’d parked his own SUV in the median and run towards the wreckage with emergency flares returned to his parked car which was right by me, when the man in the car to my right shouted to him, “Is she ok?” The man with the flares seemed too preoccupied to answer, so the man to my right yelled his question again. The flare man heard him this time and stopped, looked confused and then very anxious, muttered something unintelligible and went back to whatever duty he’d been given.

The military man directing traffic wasn’t following the cues of the traffic lights (which hadn’t actually malfunctioned), so I sat through another two green lights before being beckoned to drive through, awkwardly, on a red light. I drove past the devastated cars and the crowd of people and then over the hill to Coliseum drive, where I took a right and got to work only a few minutes late. I saw two emergency trucks flying down the road the other way to get to the accident. The people on their side didn’t slow down or pull over like they’re supposed to. I was struck by the disrespect for human life, so discreetly buried in their lack of action.

After I got into work, got to the computer where I clock in, put my keys away and got a swig of water, I realized that I was shaking rather violently. I’d been grasping the steering wheel and gear shift so hard during the accident that my hands were achy.

I went about the tasks that had been assigned to me in our notebook (and I think its worth noting that there was more work than usual…seems the two guys who were working the shift before me had given themselves an easy day), and all the while felt like I was in a dream. I have to be honest with myself; I have to speak frankly. The woman in that convertible most likely died. She was buried in the fuselage from her own car. How could she have survived? And if she did, what must she look like now? I was so shaken that I was ignoring my co-workers questions (he doesn’t work very much in that department and asked a lot of questions) and ignoring customers asking for help.

From the outside, it seems so cliché when someone mentions a jarring shift in perspective. That said, seeing the gruesome crash changed my perspective on my life, right now, deeply. It molded and morphed the shape of things I juggle daily; how much sadder I now feel that Alex wants nothing to do with me, how much heavier it is to know that my mother’s creating (or so she says) a new life without us, how much more terrible is each day that passes and I don’t sing. But conversely, how silly is my crush on the larger room in my new apartment in Charleston? How ridiculous my unspoken arguments with my alma mater, or my fretting about an extra 5 pounds on my frame? It all seems so different. I hesitate to brush it all aside as “trivial” or “meaningless”; before today, they mattered, and after today it all still matters. It all matters. Every last worry, every last anxiety, every last bauble that tinkers back in forth in my head when I wish I were sleeping. They all matter. And perhaps, in spite of what I’ve just said, the smaller things matter more when I consider the inherent temporariness of the “big” things. (How much more valuable is it now when Iago comes up to me as I type this, and puts his paw on my arm. Is he comforting me or asking for attention? Either way, its worth the world right now.)

At any rate, the day exhausted me. How fitting that I’m ridding Invitation to a Beheading. Cincinnatus, who’s been sentenced to death by beheading, lives tortured day after tortured day in an absurd prison in which the date of his execution is kept from him, his visitors are bizarre and otherworldly, and he has no choice but to ruminate daily about his very secret but very imminent and bloody demise. He lives each day thinking the next is his last. And then, of course, it isn’t.

That guy, what was his name? (Googling now...) Ah! Matt Nathanson, the guy who wrote that song, 'Car Crash'. If I recall correctly, it was a fairly popular song last year. "I wanna feel the car crash/I wanna feel the capsize/I wanna feel the bomb drop, the earth stop/'Til I'm satisfied"...He's clearly never seen someone die in a car crash, otherwise he wouldn't want for it so desperately.



My opinion is that no day is a good day to be rudely confronted with one’s own mortality.
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I fought the war, but the war won

I've appreciated this year of respite from grown-up living, I really have. Staying with my family for free right after college, saving up some money, going on auditions and interviews while spending some solitary (read: friend-less) time to figure myself out has been a real blessing. I've enjoyed the quiet.

Unfortunately, we live in a real house. With a yard, and a garage, and gutters. And I, as the largest and oldest male in the house am expected to contribute my physical strength and stature to the upkeep of these more brutish aspects of real home living.

Hence the reason for this writing, my war with the gutters.

When I woke up, my grandmother asked if I'd clean out the gutters. They hadn't been cleaned out since fall, and as we're expecting some heavy rain, we don't want them to get too heavy and fall. She was smiling as if she'd accomplished something big and couldn't keep it to herself. I said, "sure I will." As if she really couldn't contain it anymore, she beams at me and points to the space by the front door. Lying on the ground is a long silver hook with a spout at the end, wrapped in that abominable plastic that makes Christmas presents (headphones, Rubix cubes) so damned hard to get into without inflicting serious harm on oneself. "It's a gutter cleaner!" she says, "it's going to make it so much easier for you!"

After she leaves to take my brother to the doctor and then to get a haircut (he recently attempted to cut his own hair in the bathroom...he looks kind of like this now) I decided to throw on some clothes and do the dumb gutters.

The gutter cleaner hooks up to a hose. You can turn it on after you've placed the hooked end in the gutter, and it will pressurize the water to spray out the nasty things caked in the gutter. Those are its supposed functions, at least. Our gutter cleaner failed in that it didn't pressurize the water NEARLY enough to blast away all of the leaves and such, and the cleaner doesn't hook up to the hose cleanly. So in hooking it up, the seal broke a disc of water sprayed out. As as I was trying to spray things out of the gutter after finagling the hookup, a seal broke in the MIDDLE of the cleaner, and all of the stored up pressurized water poured out and soaked me. The top half of the cleaner got stuck on a branch, pulling it apart, sending water into the air (and then back down onto me.) I thought I'd get closer to make things easier and not have to reach so far, and pulled out the ladder. The continued seal breaking soaked the ladder, and while doing the back gutters I slipped on the top rung and fell from it into my sister's new garden. I crushed a few herbs (don't tell her) and ruined the jeans I was wearing in that really dark fresh bumper crop soil. Finally, one half of the front gutter just...fell...down.

I wouldn't consider myself physically unable to do outdoorsy work, not by a longshot. I've done tons of yard work, tons of garage cleaning, tons of weeding and sweeping. Add to that, I'm 6'4" and 200 lbs of dude. We all sort of figured my height would make this project easier for me than the others. We were wrong.

I'll stick to raking the leaves, thank you very much.

Edit: I just found out that my brother had already cleaned the back gutters. Oh God. Someone kill me now.
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"artists are thieves" and the like...



Mmhmm.

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